Definitely Not Fluffy

selected works from the man beaten down by the man



HOW ANIMALS MATE

Long and hard this morning I looked at a kind of god, actually. The two I watched outside Fulton Street Station, how their featires disappeared into one great open jawed kiss that threatened to continue despite the janitor's strike throughout Manhattan, despite the commutting crowds of demons and prophets who, for now, needed to scrub their own toilets. Dear father, I haven't allowed the money to spoil me yet. I'm only anxious. Need I say how edgy I have grown these years.

SALTING THE SNOW ANGELS

If it's a winter with teeth, the kind that closed Historic Bethlehem, Pennsylvania for three days and had the locals staggering down West Market on rubber and kitty litter, then and only then will I wear my long, black coat, the secret dress of New York Communists, and speculate wind and burn ratios from the Wishnick Atrium window. Burke will watch the open jawed drift with me, his paints in place, his blueblacks and olivegreens, his yellowreds and Dali horizons. He will pull from his coat pocket three types of brushes and a crumpled Newsweek feautre that claimed 64% of all Americans believed in angels. The oak on the corner directly outside will be frantic, burning in ice, screaming for a blank- et, crying over its withered shoots, and Burke will begin to sketch snow angels with distorted faces of the last three American presidents: Ronald with his wife's mouth and a Fuck-Me-Jodie stare, Hitler's cracked tongue hanging from George's mouth, Dizzy's bloated cheeks stamped to Bill's face, all three leaders with a Susan B. around their left and their bleeding penises in their right, behind them, the entire Court of Heaven, waiting single file each carrying a blue-wrapped Trojan: Michael on deck practicing his swings, Gabriel hawking wads of tobacco, Raphael scratching his balls, and Uriel, poor, poor Uriel, stuck at line's end wiping the sweat off his glasses.

ORCHARD

There went the nuns again, all thirteen values of euclidean geometry in their black satchels that matched their shoes, across the lot, looking as if they too had been laid out in straight lines, their habits waving frantic in the measurable wind as only a vertical column of Japanese maples would a minute before they are taught root-cutting by example.

BREAKFEAST, ITS PROXIMITY

Albert, with a pitcher of milk and a cereal bowl, found the explicit for- mula for the amount of stretching at any given latitude. His dog came through a flap at the bottom of the door, a dead crow in his jaw. It was an azimuthal equidistant bowl of oat bran, the milk relative to its central point. There were soggy flakes and profound consequences, the spoon being too small for the sliced bananas for starters, the coffee's steam without a fixed direction for north, not to mention the antpodal point of the crow's blood pooling on the linoleum tile.

THE CITIZEN AS CHORISTER

This woman has forgotten how to love moss. Romeo's you-know-who has reduced her orgasms to zeros and ones, checking yet again that her tits are firmly in place before the driver comes to take her bags, what the French call "folie de doute," what David Hume believed to be an utterly changing universe. It's a two hour drive, maybe three pending on traffic to Kingston, the sad, sad royalty of upstate New York, where the William Appling Singers slammed bloody marys for brunch at the Golden Ginza before performing Robert Schumann at the Olin Auditorium, and I will be hers alone for that long, maybe longer pending on the traffic. It will take that long to learn her English, the acquisitions she will toss; I will have the same flannel wrapped around my waist as I do now. It is white with angel green squares. There is a notebook on my lap, a cigarette in the right. There is the taste of salt on my tongue.

REMEMBERING THE TONGUE

As for the cardboard cutouts of Bucks County pigs off the 96st Street exit, a day is coming when this sort of thing will be memory and all the pretty reasons to think back at the drop of a changing traffic light will be neglected, or even worse, mauled. Amerrrican na-names dddon't memean th-that much, yet whose for that matter was the mouth I kissed? The apartment was robbed in a dream and I can't tell the difference between the two living rooms. There's an angel with twelve wings taking a census of past lives: I was a fiddle, I was a watt, I was a middle-class conversationalist, I was a butcher who tore and garnished the tongues of Romanian whores, I was a salesman, no, I was a Jew on a soapbox with white hair, calling every frog from the fur to spread their articulate vocabulary to the first born of every farmer and grocer in Easton, Pennsylvania. I dipped bread in salt water to pay respect for the dead, I kept rocks to remember.

REMEMBERING THE TONGUE AGAIN

All his dreams, small pigs with sharp heels, ran over the driver's left shoulder to describe the distance between one hasty episode and another. The map charted only so much: here was the bread and here was the kiss, here was the space he touched from hip to sunken crease and here was the degree of distortion the further he mapped from the tiny red welts on the writs. There were maps like this in every Japanese glove compartment; all angels and devils were exact replicas of each other when taken in full scale of the map.

CHARLOTTE DANGLED FROM THE HICKORY

A spider dangled from the hickory. The pig in Lucy's grandfather's barn didn't mind. She hated spiders. I loved the sex, a secret hand- shake on a rainy Thursday, but it was Sunday, when her glass-eyed grandfather picked dead skin off his index with a spork.

HEARING THE TRAINS AT 1.43 IN THE MORNING

Last night I leaned against the green kitchen chair and counted the number of dirty forks and unmailed letters on the table and started to think Eighty two degrees and cloudy and she's stranded by a dairy farm with a flat tire or she took the wrong exit off the Pennsylvania turn- pike or she knows exactly where she's going and she's gone and I thought the Blue Mountain Railroad shouldn't be running this late but I heard the trains howling through the screen window, bawling over the crickets' chatter about the cool blue light on the front porch a few houses down.

BECAUSE SOME COUNTRIES KILL COWS FOR FOOD

whatever touching we do is impotent. The day doesn't notice. The dry sun never sets, its rusted room furnished wrong, and I sing psalms over the pile of books and the punctured pillows in the paper house where we cooked red meat.

VANILLA ICE CREAM CONE WITH CHOCOLATE SPRINKLES

Dropped by a school boy running from the bully. My brother saw this from the window: three crows circling low and a militia of ants clambering out from a rift in a moldy log.

LAURIE TOLD ME HER SECRET

was to lick the open wound in Christ's side and talk dirty to the Roman centurian who stabbed him.

HORSE AND RIBBON

"The sort of steam that vanishes now above one Last cup of tea—though I could sit here forever Passing the life and times back and forth Across the table with you, my ideal friend." — J. D. McClatchy The kitchen window had its first frost; the spider orchid had little time left, its arching leaves started to crust along the edges— Ruth could have saved that plant. She knew how to till the soil, how much fir bark, how much peat moss. She knew to distribute a high-nitrogen formula rather than tap water for waxy blooms, for flower spikes fifteen inches long bearing twelve flowers each, for yellow petals with brown marks and angel green leaves with reddish spots. She knew to speak to the orchid as if it was her first born daughter about cole slaw picnics in September, how her brother hated slaw and how her father just hated, how Ruth danced to champagne music on her mother's ten tired toes while her three sisters tossed rocks into the Hudson that never brought much to the surface, and rather than attempt to describe the Hallmark Christmas carousel for Ruth's birthday to the plant, the one with a pine base and four gold horses, each tied to the center with a red silk ribbon, rather than explain why I didn't write, why I didn't phone, why I didn't mail the letter on the counter weeks ago, I considered how cold it was outside, if I had to wear my long, black coat.
—Frank Matagrano III